Moo Business Cards

I ordered some new business cards recently from Moo.com. Before they existed, with the option of getting many images printed at once, my cards were always homemade as I could never choose just one image to represent me on a professionally printed business card. I remember from my postcard produced on leaving art college that by the time I'd given out a handful of the 200 my style have changed! (Although I still have some of that fox card from 1990 and I think my style has sort of looped back around in the twenty three years. If only I could have reassured my brother then that Photoshop was on its way and I wouldn't always have to draw directly on top of our grandfather's notebooks!)

My 1990 Promotional Postcard 

When I was laying out the Moo cards to photograph it reminded me of rainy days as a nanny spent on the floor playing Pairs with the children....thinking it might be fun to make some sets of the game.

Drawing and Photographing Typewriters

Olivetti Museum Windows

I did these four thank you cards just before we went on holiday as a personal/speculative project. The top one is Dennis's Dad's typewriter which sits in their conservatory in Northumberland and his Dad still uses regularly.

When we got to Piazza San Marco in Venice Dennis teased me for turning my camera on the windows of the Olivetti Museum bordering the square....rather than the over photographed square itself. Though when I turned back I found him taking a close up of some cigarette butts on the ground with the towering Campanile in the background - which seemed far more sacrilegious!

Wall Art Project

Two finished pieces

buttons and lamb that worked there way into finals

work in progress - background for top image

Back in June I took Part A of an e-course run by my agent Lilla Rogers called "Make Art that Sells". It was aimed at helping artists, illustrators and designers "up" their work to the next level and create work focused on five key commercial areas - Wall Art, Bolt Fabric, Children's Book Illustration, and artwork for Gifts and Homeware. There were around 500 participants from all over the world - many, many of them were already highly successful and talented artists and it was an initially nerve wracking, then challenging, followed by inspiring and completely invigorating experience to be thrown into such a school of high achievers! Lilla motivated and nurtured us all with such enthusiasm yet tenderness that I'm certain everyone will have come out of the experience feeling both creatively and emotionally stronger. 

Though I've been represented by Lilla Rogers Studio since 2007 and have had some success with licensing of artwork and crossing over into surface design - for cards, wrap, bags, rugs, swimwear - I still see myself very much coming from an editorial illustration background and training and it's in that area that the great majority of my work both in the UK and USA comes from. The course was a wonderful way to make me see the possibilities and applications for my work in a fresh way.

This project for the Wall Art week was definitely the one I most loved working on and helped break down old attitudes and assumptions. Several of Lilla's other artists have had lots of success with Wall Art including the beautiful work produced by Mati Rose, Lisa Congdon and Lisa De John. Initially I was concerned I somehow wouldn't fit this area as I don't come from a gallery/artist background - I see my work as being between paper, something that lasts the length of a magazine or the turning of a page not hanging on a wall. (Surely a throw back to my time studying Illustration at Maidstone College of Art where the courses were clearly delineated between Fine Art and Illustration....and my joyful cross overs into the Printmaking department felt like going behind enemy lines!) I'm also so used to responding to a brief that the opportunity to spend a day doing what ever I wanted with no final image in mind was amazingly liberating. I think I so love my job and the way I spend my days I hadn't considered until that day spent painting these backgrounds in the kitchen that it could be even more fun!

It was an amazing five weeks and Part B of the course starts next month...I'm already excited and ring fenced my autumn weekends for working on it!

The Little Book of Wedding Etiquette

Just published last month by Running Press "The Little Book of Wedding Etiquette" was a lovely project to illustrate involving twelve chapter illustrations and a cover. And I managed to slip a wedding guest dog in too!

The Aesthetic Anteater

I did this for a "facebook drawing club thing" that I was doing with some friends who are animators. The theme was the "Aesthetic Anteater" (chosen by me). As I've been feeling sad for anteaters ever since I learnt they were nomadic as I'm sure there are a few that would like a beautiful home to call their own. That's Heals window he is looking in....or maybe the Conran Shop.

Anthropologie/Front Row Society Scarf Design Competition

These are close ups of a piece I designed last autumn for a Front Row Society competition in collaboration with Anthropologie (a shop I adore!) The brief was to design a scarf 200cm x 65cm based on one of the four elements.

I chose Earth as it’s definitely the element I most connect with. I don’t think I’ve ever designed anything so big before! I called mine “Gone to Earth” – partly after the animals that live and seek refuge underground, the idea of returning to nature and after one of my favourite films with that name by Powell and Pressburger.

Rhode Island magazine - Spring

 This was for Rhode Island Magazine to illustrate a piece by Ann Hood. It's was a very reflective and poignant piece of writing about Spring from early childhood memories of Easter celebrations with snow still on the ground surrounded by her extended Italian family through to the loss of family members and how it affected  her ability to notice or appreciate seasonal changes through to the springtime adoption of one of her children.

I've also included how the illustrations looked in the magazine layout - I really like how the designer laid out the pages, the text and the flowers against the clean white pages.